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TheMatrixWarrior
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Name: Rohan
Location: Mumbai, India
Birthday: 2/22/1983
Gender: Male


Interests: Movies, movies, movies, books, books, books, repeating the same words thrice, PlayStation and being a verbose, boring, obnoxious prick with very badd speling
Occupation: Student
Industry: Entertainment


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MSN: rohanjoshi@hotmail.com


Member Since: 11/6/2003

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Wednesday, July 14, 2010

Are you watching closely? Inception reviewed.


Ideas are insidious, ferocious little things. Dreams are where ideas go to let their hair down, to stretch to their fullest potential, to find the point at which their internal logic crumbles. We summon entire universes in our dreams, dangerous, deeply personal universes, fueled only by ideas and the unseen, unfathomable underside of whatever iceberg it is that makes us tick.

All things considered then, if you're a protagonist in a Christopher Nolan film, playing with ideas is (for want of a better phrase) a bad idea. From Leonard Shelby to Bruce Wayne, Nolan's leads have always been men with grave personal demons and dangerous obsessions, and Inception's Don Cobb (Leonardo DiCaprio) is no different. Cobb is a thief who peddles in ideas, a mercenary of the mind who goes deep into people's heads to retrieve secrets and ideas. Think bastard child of Sigmund Freud and 160-million-dollar-Chinese-man.

Cobb and his team have an intriguing modus operandi; they generate a shared dream with the target, "extract" ideas, and get out. The target wakes, blinks away the dream, and goes his merry way. For reasons that become clear as the film progresses, Cobb agrees to "one last job". Naturally it's more complex and devious than anything he's tried before, so he puts together the psychological equivalent of the A-Team, and gets to work. To reveal any more would be to spoil the fun.

And what fun it is. Nolan uses the idea of the subconscious to mount a plot that would put a Rube Goldberg machine to shame, a scheme so devious and intricate that it puts the Joker's machinations to shame. But because Nolan is Nolan, and because, I suspect, he has obsessions as dangerous as his leads', the heist is just his launch-pad. While most directors would be content to use an idea as a MacGuffin, Inception is more concerned with grander themes. It picks at the world-altering power of ideas, it peers at the machinations of the mind, it reels at the arrogance of creation, and it ponders at the seductive lure of choosing a reality most convenient to you.

The genius of Nolan's writing is his ability to humanize and personify every aspect of the dream-world without dumbing it down, or talking down at you. For example, a "totem" is a deeply personal object of unique significance to you, that act as your anchor in a dream. "The kick" is the sense of freefall that often wakes you from a dream. And while much of cinema often turns dreamscapes into wild flights of fancy, bouncing from surreal image to image, Nolan shrewdly goes the other way. He stages his action in smaller, more specific dreamscapes, each with their loose (but consistent) internal logic, and then turns the entropy in each dreamscape all the way up to eleven. The result is dizzying, exhilarating, and flat-out mind-blowing.

Nolan is aided at every turn by his top-drawer cast, easily the best ensemble in a film this year. Leonardo DiCaprio does a lot of heavy lifting as Don Cobb, but lucky for him he's got a stellar bunch to help him along. Ellen Page is just the right mix of cocky and naive as Ariadne (wiki that name for a clue to her part in things), and Ken Watanabe is suitably portentous, but nobody looks like they're having more fun than Tom Hardy and Joseph Gordon Levitt. They're the Malloy brothers of the piece, the perfect heist combo of mutual antagonism and pro-skills. Hans Zimmer's brass-band-fueled score, with its ominous blasts of the tuba, is a character in its own right, heralding the awesomeness of each new dreamscape.

Inception is a rare film. It's a furiously-paced thriller that is somehow also cinema for the senses. And science-fiction. And a crushingly emotional tale. It's the sort of film that's going to fuel a billion stoned discussions, that's going to galvanize forums and Nolan fanboys. It also takes care of the entire "How is he ever going to top The Dark Knight?" question. "An idea," says Cobb, explaining the stakes, "can transform the world and rewrite all the rules." Well thank god someone in Hollywood still has a few then. And thank god that someone is Christopher Nolan.


Tuesday, June 29, 2010

I'm going out. It's too expensive to stay home and watch TV.

I quit. No more entertainment for me. I can’t afford it. During every commercial break of every single cricket match, I am reminded that someone (usually Shah Rukh Khan) has a better TV than I do and is thus enjoying the match more than I am. Unless the Kolkata Knight Riders are playing.

The problem is this. Advertising insists that all entertainment these days is designed to be viewed on devices that are at least six generations ahead of whatever TV you currently own. And I can’t afford it anymore. Thanks to the arms-race that is entertainment technology, I’m broke. My bank account currently cries itself to sleep at night. Even the Lehmann Brothers account won’t hang out with it.

I am also reminded that I need a DTH cable connection, because with one of those little boxes, I could get CD quality sound and DVD quality picture-clarity. And if I throw in my other kidney too, they’ll give me a box that will even let me pause that seventh rerun of Friends so I can appreciate just how fat Matthew Perry really got. Except nobody in those ads has a TV like yours, which still occupies as much space as your car (you drive an SUV). No, people in those ads, they have flatscreen TVs, with tummies stretched so taut they make Shilpa Shetty cry. TVs that are “Full HD” and are clearer than anything else in the universe, including Hubble. And by some miracle of science (known to most as “Photoshop”), these TVs use absolutely no wires, and just levitate near the wall. And they have about fifteen speakers, and if you buy one, ever so often, Lady Gaga leaps out of the screen and actually sings at your house.

And so, because I am male, I march over to the shop to see how much one of those TV’s costs. The answer to this question is usually “More than I can afford.” Five minutes later, I leave with something twice as big. The salesman has used words like “HDMI”, and “1080p”, which, mind you, is “not the same as 1080i which is 0.0087 per cent more blurry than 1080p, and what? 720p? Ha! Sir we don’t sell those anymore! The antique store is around the corner!”

When the fog clears, I’m at home, saddled with a giant TV that looks like it’s shedding wires. And to use “HDMI” and get “1080p”, I need six other kinds of wire. Except my set-top box doesn’t use those wires, so everything looks just as rubbish as before. Even Shah Rukh Khan. And now I’ve realized that I don’t really know what the hell an “HDMI” is.

So, now I’ve got the best TV in the world (at least it was, until six minutes before I bought it) and no way of showing off its best-ness. To do this, I must buy a Blu-Ray player. No, not DVD. Blu-Ray. DVD is for losers. I can get DVD quality clarity from my little Shah Rukh Khan box, remember? I must get a Blu-Ray player. Which, what a coincidence, happens to be a Playstation.

And now, I must connect my computer to my TV as well, just because the manual says I can. In my experience, there is no real practical use for this. But, let’s not lose sight of what’s important here… it’s COOL! And now there are so many wires coming out of my TV that it looks like it has dreadlocks. And I am currently looking at this column on two screens, which is giving me a giant headache. But it is the coolest headache I have ever had.

In fact, I bet Shah Rukh Khan’s NEVER had a headache this cool.


Sunday, April 04, 2010

On sport...

(This is originally a column I did for Grazia's April '09 issue)

As a heterosexual man, I am contractually obliged to love exactly three things; women, beer, and sport. These aren’t options, they’re a package. I’m not allowed to love two of those things if I don’t also love the third. If I didn’t love women, I would have nobody to lie to about being “stuck late at work” when I’m really off drinking beer and watching sport. If I didn’t love beer, neither sport nor women would ever make sense. And if I didn’t love sport, it wouldn’t matter whether I loved women or beer, because I would forever be considered a, well, fashion designer.

If you can pee standing up, you must love sport. Those are the rules. You don’t need to play a sport, but you have to watch one. And you’re not allowed to love one of those pretend-sports like “Curling” or “Lawn Bowls” or anything you can play at a retirement home between diaper changes. You’re welcome to like those things, but you cannot love them

For a sport to be loved, it needs one thing; a hugely entertaining amount of competitive violence. It’s okay to love football, but you can only *like* chess. This is because, as a guy, you know that Gary Kasprov will never lunge across the table mid-game and headbutt Vishwanathan Anand. In turn, Anand will never stab Kasprov in the eye with the Bishop. No room for competitive violence there. No competitive violence, and as a direct result, no entertainment.

Another criterion for loving a sport? You must pick a side, and then love it completely. But that’s not enough. To be a truly entertained, you must immediately and automatically hate everyone else who plays that sport. It isn’t important that you love Liverpool FC. What is important is that you prove this love by going out and punching the first person you meet that loves Chelsea. Even if she happens to be an old lady with a broken leg.

Choosing a side when it comes to cricket is easy. You support India, because to support anyone else would be wrong, and besides, if you supported anybody else, Bal Thackeray would come to your house and eat your grandmother. With other sports though, things get complicated. For example, football.

I am a Manchester United supporter, and since I don’t live in Manchester, I support them for one simple reason; my sister used to be obsessed with them. I spent my entire childhood watching United play solely because my older sister controlled the remote and she always watched in the hope that she’d spot David Beckham. “He’s DAMN cute okay!” was her Mandira-Bedi-like explanation. Then he married that boy from the Spice Girls, and she was devastated.

But now I’m in real trouble, because I’m going to be parked in front of my TV for the next six months. The new Formula One season begins soon and Michael Schumacher has abandoned Ferrari and moved to Mercedes. This is the F1 equivalent of Vladmir Putin defecting to America. And suddenly, I don’t know whom to support. Schumacher or Ferrari?

And then I’ll be stuck watching the IPL, and I need to pick a side for that one too. I’m from Mumbai, so I pledge allegiance to the Mumbai Indians. Now THERE’S a team that understands competitive violence. They couldn’t win any games and entertain their fans (me), so they made it up to me. Harbhajan Singh went and found S Sreesanth from the rival team and slapped him in the face, which in turn caused Sreesanth to weep like a lost girl-scout on live television. Colour me entertained.

And in the end, in June, I’ll spend sleepless nights in front of the TV again for the football World Cup. Luckily, I’ve had a favourite team picked out for over a decade now. It’s whatever team David Beckham is in, of course.

 


Tuesday, March 02, 2010

Too much TV, too little time.

This is originally a column I wrote for Grazia in August 09. I'm publishing it here so I can pretend I actually updated my blog and feel a hollow sense of validation about it.

I remember time was when you chose the noble, righteous path of the Couch Potato because you wanted to do nothing. I remember, with some fondness, a time when being a blob in front of your television was a deeply personal experience. But then it all went so wrong. So horribly, terribly wrong. Somewhere down the line, television went and became the one thing I never wanted it to be; a social activity.

It started innocently enough. About six years ago, I started watching 24, in which a counter-terrorist agent who’s made of the same material as airplane black-boxes single handedly kills every single threat known to America, from angry Middle-Eastern men to common sense. Nineteen eyeball-frying hours later, I was done with an entire season, and I spent the better part of the evening ranting like a buzzard on cocaine to my friends about what an awesome show it was.

Two days later, they’d all watched it, and the continuing adventures of Jack Bauer became the centerpiece of any and all drunken discourse over the weekend. A few days later, I met another bunch of friends and just as I was about to preach the Gospel of 24, I was informed, in a tone usually reserved for a wannabe fashionista who’s wearing a dress that’s four seasons old, that *they* were all three seasons in. So, naturally, I wasn’t part of the conversation that night, because I had no idea what they were talking about.

I marched home, rallying my DVD guy, and stumbled from my room 48 hours later, a veritable 24ologist. I went off to meet the first lot of friends, ready to show-off my research, except, they couldn’t be arsed, because they were ranting about Prison Break.

And so the vicious cycle continued. I’d be ahead of the curve on 24 but one lot of friends were beating me hollow at Scrubs. I’d put my nose to the grind to catch up on Scrubs only to find another bunch of friends ranting about Heroes. Another friend tried to convince me to watch The Wire, but I couldn’t deign to reply to him because he hadn’t worked through the complexities of season 3 of Lost. I planned my weeks carefully, spending different days in the thrall of different shows. Watching TV had suddenly become homework. I was studying for my social life. I was keeping up with the Joneses. Except there were too many Joneses to keep up with.

And it got worse when I brought the internet into things. When I was finally about to join the ranks of House MD watchers, I realized I had to social-network about it, so people would know that I was now cool and versed in another show. So I blogged it. Except by now, my friends had all migrated to Facebook. And so I changed my Facebook status. Except the really early movers had abandoned Facebook for Twitter. So I spent another twenty minutes signing up for that and then Tweeting my achievement. Then I remembered my Gtalk status, and ran off to change that. By the time I was done, the DVD store had closed and wouldn’t re-open until Monday.

As I shivered through my weekend, jonesing like a junkie for my fix, terrified of the scorn and social ostracization Monday would bring, I realized I’d hit rock bottom. This potato was chipped, baked, mashed and fried. I decided to get out of the game. I took with me only the remains of my sanity, and one sorry epiphany. And it is this; you know the world’s a sad place when you can’t do the things you used to do to relax because they’ve just become too exhausting.

For what it’s worth though, I’m still the world’s foremost 24 expert.


Saturday, January 30, 2010

Office Spaced


This is the office. But it is 2 am, so a more sinister name is in order. One befitting the world's most popular chamber of horror. How about The Workplace? Thunderclaps optional.

It is quiet. And yet it hums the hum of creatures who don't come out by daylight. Or maybe that's just the vacuum cleaner.

This is the office. But it is Friday night. Or maybe it's Saturday morning. People get really pedantic about that "it's after midnight so technically it's a new day" stuff. They should get a job. At a Workplace.

At 2 am on Friday night (okay, Saturday morning), you are not here because you want to be. If you are here because you want to be, it is because there is something worse, something more frightening, waiting at home... like the past, maybe? Or worse, the future.

This is the office. There is laughter in its corridors. But at 2 am, it is the hollow, terrible laughter of a madman on his way to the gallows. Except you're not mad. This is not a hallucination. Hallucinations would never be this boring.

Midnight is a time of turmoil. But it is also a time of epiphany. If you hate your life, this is when you admit it, grudgingly. If you love your life, this is when you admit to it, almost shyly. Do the night a favour though. Tell the truth. To lie to the night, is wrong.

This is the office. The vacuum cleaner is silent now. It is a lonely place. There are ten other people here, but ten people being lonely together is really no different from one person being lonely on their own. Just because misery loves company, doesn't mean it understands it. Or empathizes.

This is the office. I am bored.

Not that anyone can tell. Right?



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